A deep ecclesiology, from what I have seen, is still around the corner. The
challenge of postmodernity has influenced our apologetics, our worship and
our methods of communication. But when it comes to the way we build and
structure our churches, not a whole lot has changed so far. But there are
some exciting new models of church emerging that resonnate with the
postmodern experience of time and space. Are we there yet? Of course not.
But there are hopeful signs that make me think we are well on the way.
I am writing this in Budapest, Hungary at a conference called Hope 21. A
thousand people are here representing what God is doing in 36 countries. My
area is Church Planting and yesterday I spoke to about 60 missionaries and
church planters on what doing church was looking like in the postmodern
world.
For my presentation, I wrote a song. A few songs actually. Enough for a
whole album. None of it had any music - just song titles. Lets play it now.
CHURCH IN THE POSTMODERN WORLD: The Budapest Album
TRACK 1. THE PARTY IN THEIR HOUSE
The Kingdom of God is like a party. According to Jesus and his Kingdom
parables, the Kingdom is like a house full of poor people partying. Churches
in the postmodern world look more like parties. They are often in houses,
there are multiple rooms, food flowing out of the kitchen, people chatting,
celebrating (like a birthday), grieving (like a funeral), dancing (like a
dance party). This is all very good. But more and more, the party is in
THEIR HOUSE and not in OUR HOUSE. Instead of bringing new believers into our
houses/churches/parties, we are sending people to THEIR house to help them
throw the party and build the community. Matthew the Tax Collector, when he
decided to follow Jesus, threw the party in his house. Lydia's heart was
opened to the gospel and the church met in Lydia's house. Church needs to be
missionary as well as missional. We need to act our our "being sent" by
actually going out to THEIR HOUSE and bringing church with us as we go.
This track in my album is one of the key tracks so I have opened with it,
although in my performance I started with some different tracks.
TRACK 2. THE TREE AND THE RIVER
This could mean the universal motifs that connect with almost any culture -
the tree of life and the river of life. I often end up here when I talk with
people into eastern religions. But this is not what I mean. I am talking
about the apostle and the prophet. New churches and movements are built on
them and their ministry. The apostle is like a tree. He or she gives roots,
stability, growth, and covering. The Prophet is like a river. Rivers flow,
trees grow. Prophets see the city with God's eyes. They tap into the prayers
and promises for the city. They dig into deep wells to release whatever God
has stored up for the place . They enable God's purposes to be visible and
acted on by the apostle. Prophets hear from God and Apostles move resources
into place to give God what He wants. The combination of these two giftings
is often the initial thrust in birthing something new. And their return
trips are often the way the growing churches stay healthy and connected.
TRACK 3. THE BAPTIST MONK
This is my favourite track title on the album. It carries great shock value
with its juxtoposition of the evangelical and the Catholic, the active and
the reflective, the city and the desert. I cant say that I actually know any
Baptist monks, even though I have suggested that the Baptists should create
some monastic orders. There are some Baptist communities that are on the
journey - Lower Greenville Baptist in Dallas, for example, has a Celtic
prayer room and has Taize nights on Tuesday. St Thomas Crookes in Sheffield,
a Baptist/Anglican mix, is on the way to becoming a order rather than a
church. They have prayer three times daily. 24-7 Prayer are starting up
monastic structures they call Boiler Rooms. I have met Vineyard monks from
Ohio who take vows and share a common purse.
It is a growing trend that postmodern spiritual seekers would rather be a
part of a small, committed order or team on a journey than be an attender in
a large, impersonal worship service. Postmodern churches will increasingly
include the monastic model as well as the ecclesiastic. Patrick Johnstone,
in his book "The Church is Bigger Than You Think" argues that church has
always existed in 3 forms - the gathering (ecclesiastic), the community in
training (I call it the monastic) and the sending/travelling band
(apostolic). Modernity divided church into CHURCH (the ecclesiastic) and
PARACHURCH (the seminaries, missions, youth ministries, etc). What we are
seeing now is intentional communities and travelling teams that not only
support the church - THEY ARE CHURCH.
TRACK 5. THE COUCH AND THE PILGRIM TRAILS.
Pilgrimage is becoming the way of missions for postmodern young people.
Pilgrimage is a two way experience - giving your gift and receiving a gift
from the culture. Celtic pilgrims went to get books and they told the story
of Jesus on the way. A pilgrimage is an open ended journey that God could
change at any moment, like He did with the Apostle Paul. Pilgrimage often
involves working and studying along the way. What we are seeing is an
increasing amount of pilgrims travelling around the world in a Spirit led
adventure with God. Rising up also is the support system to assist them -
houses of hospitality, well worn trails where people have gone ahead,
festivals where they gather as a large group. There are pligrim points of
interest and learning, and available couches in the homes of believers
around the world for a new generation of couch-surfing apostles and
prophets.
TRACK 6. THE RETURN OF THE EUCHARIST
Churches in the postmodern world usually end up with an increased respect
and focus on the Lord's Supper. Services often give primacy to the Eucharist
over the sermon. The Eucharist is an experience of community and intimacy
with God. It is a statement of faith, a proclamation of our hope, a
reenactment of the narrative, the story, that undergirds our existance and
gives meaning to our lives. In the traditional churches, the eucharist
becomes the central point of the service. In house churches, the love feast
or meal becomes the main event and the backdrop to everything else that
happens.
A related track that didnt make it to my album was entitled "THE REVENGE OF
THE KITCHEN". I may add it later and talk about the ministry of the chef and
the role of cuisine.
TRACK 9. THE SHRINKING STAGE AND THE EXPANDING ENTRYWAY
The stages are shrinking because believers are no longer under compulsion to
perform the gospel. The community of God becomes a better apologetic for God
than the stage ever was. The stage also shrinks because multi-media happens
in multi- spaces, on multi-walls, in multi-rooms, by multi-people.
Entryways, hallways and sidewalks become stages for art and expression.
Entryways grow for another reason - post modern people who choose to attend
a traditional church do not want to be made captive to a service where they
are not allowed to move or talk or drink their coffee. They can do all those
things in the entryway and listen in to the message at the same time. The
entryway is a place of interaction and relation building. It will increase
in size and importance. How do they do all those things at the same time?
Its called mult-tasking and if you want to know more about it then ask your
wife.
TRACK 8. THE SETTLED EXODUS
There are many Jesus followers who have decided that it is healthier for
them to journey with God OUTSIDE the institutional church. They are the
exodus from the Pyramids of Modern Church. They were abused (the servants)
or not welcomed (the "Others") or stifled in their spirituality (the
spiritual high-acheivers) or they were valued only by what they contributed
to the growth of the Pyramid (the artists). Now they are the believers who
do not belong, the Church without a church, the wildflowers in the Garden of
God. The evangelicals used to be in this place, ever since the Roman
Catholic Church treated them as 'seperated breathen'. Now the evangelicals
are becoming the instituion who insists that all believers attend one of
their worship services to be part of the "IN" group that we call Church.
Sam Williams is a few feet away from me as I write this. When he was at Bay
Marin Community Church in California, he announced that there was a
spiritual revival going on around us - but the church was not really a part
of it. He saw it coming. What is going on now is that many of these
believers are finding ways to connect and share life with each other. These
connection points and celebration events look like house churches but they
are different. Whatever they are, they are part of the postmodern church
landscape.
TRACK 8. THE CHURCH AND THEIR BUSINESSES
This track did not make it to yesterday's performance due to lack of time.
But I do want to include it on the Budapest album.
Postmodernity has a lot to do with integrating elements of life that were
seperated in the Enlightenment. One of the happy remarriages is church and
business. Nothing new under the sun, of course - the early church and
mission had a lot to do each others businesses and were often defined by
their having all things in common. The word for fellowship "Koinonia" has
financial connotations. So does "fellowship", coming from an old English
term from which we get the word "fee". Kiwi Viv Grigg told me that. He is a
missionary to the poor who has helped in the formation of evangelical
monastic orders (play TRACK 3. of this album)
Anyway, I came across a very postmodern church in USA in which the shared
businesses of the believers were the key to connecting the believers
together. And the businesses also formed the platform for their ministry
outside their church and their country. Heeelllllooooo, future!
SUPPLEMENTAL TRACKS
I am including a few tracks that were inspired by the speakers before me and
performed yesterday. Here they are:
TRACK 9. THE SPERMING OF THE PLANET.
On a large piece of paper, Oivind Augland of Norway drew his country as a
sperm and told us that they were sending out young people around the world
to . . . how shall I say it . . . spiritually 'fertilize' the world with
the gospel. It reminded me of a quote, that I played in my performance, from
Roland Allen, a famous English missionary to China. In 1933, in response to
a request from his mission society for stories of success, he said . .
."I do not trust spectacular things. Give me the seed growing secretly
everytime."
TRACK 10. THE MINISTERS AND THEIR PARENTS
Another happy thing going on in postmodern churches is the integration of
young and old, children speaking into the movement and the older teaching
the younger. The modern world saw church get sliced and diced into
sub-groups and more sub-groups of sub-groups that ministered to sub-groups.
The postmodern world is a good opportunity to integrate the ages, as well as
letting people minister as a family rather than an individual. I know for
myself, there are a lot of times when my kids minister better than I do and
say things that show a unique and innocent understanding of God. I need to
let them speak, or the stones will cry out.
TRACK 11. THE HONORING OF THE WOMEN
This is from Roland Van Der Molen of Netherlands, who has created a
Tolkein-esque fantasy game to train young people in spirituality and
ministry. He reminds us that we cannot move ahead without the women. I was
told this years ago by a mentor, Pastor Paul Jackson. "Half of my audience
are women", he told me, "which is why I try and read books written by
women."
It is the women who will teach us much about how to function in a postmodern
world. They are already overtaking the men on the front line. Out of the 1
million church planting evangelists in China, I have heard, 80% are women.
If the house churches are structured around hospitality, conversational
evangelism, interactive teaching and relationships of trust, then there is
no doubt that women will play a major role.
BACK COVER
Ross Rhode spoke before me. I took over his job as an Outreach Pastor in
Oregon in 1988 - small world! Ross is the author of some excellent articles
on churches in the postmodern world. He believes that the first wave of
posmodern churches was the seeker-sensitive/targeted churches like
Saddleback and Willow Creek. The second wave of postmodern churches was the
Gen-X and missional churches like Mars Hill in Seattle.
Over breakfast this morning, he told me that when he re-writes his article,
he will say that the third wave of postmodern churches are the current house
churches, since they have taken the elements of postmodernity beyond the
cognitive and into the structure and leadership. I agreed but suggested that
house church teachers who present their strategies as a meta-narrative and
the only way to do church, are coming from a modern worldview and not
postmodern. Same page. Say no more. www.newwwway.org
THANKS
This album was made possible by DAWN EUROPE and the BGCT. Thanks to
Reinhold Scharnowski for the invitation to speak and the Alliance for Church
Planting. Thanks to my wife and kids who held the fort while I was gone.
Thanks to God for making all things work together for good.
TOOLS
I-book and G-Force, played through someone's projector. I have never used
Powerpoint - way too linear for me and when someone uses it, I always feel
like they are selling me something. Lots of missionaries and teachers used
it here. I felt they were trying to sell me something. Instead of
Powerpoint, I used G-Force as my visualizer which is available as a free
download from www.55ware.comIt is mainly used for raves. I have tried to
put others onto it but so far I dont know anyone else teaching with it. I
have used it for 2 years and normally run it with ambient music on soundjam.
It also works with Winamp on PC's. When it comes out in a professional
version, I will probably buy it.
Thank you Hungary. Your food absolutely rocks - love that paprika. May your
young find their spiritual journey enhanced by your heritage, understood by
your church and blessed by your elders.
Andrew Jones will post images of Budapest at
http://tallskinnykiwi.blogspot.comhttp://tallskinnykiwi.blogspot.com
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